Undersound (Gareth Evans) took up music at the age of 5. He has since turned his hand to many instruments including, French horn, guitar, drums, piano, trumpet, tuned percussion, cello and flute.
In November 2006 he fell into Drum and Bass when he was asked to play guitar and piano on High Contrast’s ‘Tough Guys Don’t Dance’ album. Inspired by this experience, Gareth became galvanized and started producing and DJ'ing Drum and Bass. Within a matter of months he had begun racking up an impressive list of live sets as a resident at the acclaimed 'Aperture' night, as well as playing at other nights in Cardiff, London, Mansfield & Bristol.
His producing went from strength to strength gaining him regular radio play world wide on many stations including Bass drive, BBC radio 1 and 1xtra, Origin FM, Kool DM, BBC Asian Network, Jungle Train, After Dark Radio, Dark Wax Radio, and Kiss FM.
In early 2008 he was spotted by London-based label 'Future Thinking Records' who signed ‘Meet Me In My Shadow’. Following this, he had a string of releases, including a full length album, two EP's and many singles on labels such as NexGen Music, Influenza media, Luv Disaster, Sub Life, Vibez Recordings, Good Looking Records, Phunkfiction, Think Deep, Director’s Cut, Black Reign LTD, Point 9 Audio, and Ennex Records. Undersound has also collaborated with inspiring producers such as Dan Marshall, Bionic 1, Amaning and Druid.
He is also in demand for re-mixes, having reworked '26 Police’ for Hip-Hop and Reggae acts Savana and Junior Reid, ‘Lost Voice’ for Oxford Indy sensation ‘Ute’, a handful of remixes for house producers Karl G and Jamsie and Born to Dance Records, and a remix of 'Still Standing' for Miami girl group 'Anything but Monday' (Universal).